![]() Capiche? We will revisit rhythm in the tune body this is just to set the default duration. L:1/32 is a thirty-second note, L:1/4 is quarter note, L:1/2 is half note, and L:1/1 is whole note. If I have "L:1/16", any pitch that I enter will be the duration of a sixteenth note. If I have "L:1/8", any pitch that I enter will be the duration of an eighth note. This is the standard duration of a note in the tune. Common time ("M:C") and cut time ("M:C|") abbreviations are also available. ![]() This field only affects how the time signature is displayed and does not determine how the measures are barred. In this example we're using 4/4, but you can do anything as long as it's numerical, including irrational time signatures (try plugging in 4/7, for example). This field determines what the time signature displays as. Like "T:", whatever you enter in this field will be rendered on the score as text, but over in the top right hand corner of the page. If you put a second "T:", it will be rendered as a subtitle. Really simply, whatever you put in "T:" will be rendered at the top of the tune as text. "X:" must always be the first field in the header. This field tells the software that the file is starting. What follows this field does not really matter, but it must be populated if you want things to work when you're writing, you'll probably put "X:1" most of the time. For example in 6/8 time, the eighth note represents one beat and there are six beats in each measure.K:G"X:" is the file reference number. In a compound meter, each beat can be divided into thirds. The beat can easily be divided into two eighth notes. Listen to the first movement of Haydn’s “Farewell” Symphony. The quarter note can be halved into eighth notes, therefore 3/4 is a simple meter. For example in 3/4 time the quarter note is used to count the three beats in each measure. In a simple meter, each beat in a measure can be broken into two equal parts.
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